Writers have a difficult time making a living in contemporary Russia. Market-driven publishing companies have pushed serious domestic prose to the fringes of their output and few people have money to buy books. The disintegration of the Soviet Union in led Russian society to become polarized between an increasingly prosperous minority and a very poor majority. This divide is also mirrored within the writing community, with some writers supporting conservative, nationalist pro-Soviet thinking, and others, liberal, democratic, pro-Western thought. Shneidman, in the tradition of his previous volumes - Soviet Literature in the s ; Soviet Literature in the s ; Russian Literature, - investigates the Russian literary scene with special emphasis on the relationship between thematic substance and the artistic quality of recently published prose.
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In addition to poetry, she wrote prose including memoirs, autobiographical pieces, and literary scholarship on Russian writers such as Aleksandr Sergeevich Pushkin. She also translated Italian, French, Armenian, and Korean poetry. In her lifetime Akhmatova experienced both prerevolutionary and Soviet Russia, yet her verse extended and preserved classical Russian culture during periods of avant-garde radicalism and formal experimentation, as well as the suffocating ideological strictures of socialist realism. Although she lived a long life, it was darkened disproportionately by calamitous moments.
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